CIP: Collection– Binding changes

I was pretty stubborn about using a bureu, but after some researching, and soon after I had published the document to Issu, I noticed that it offered to get the printing done for a relatively good price. I was a bit worried about getting charged for a hefty some of money, but when it came to looking through the options, I was smitten with it.

Their dispatchment details are relatively fast, and I may consider using them to get the book complete.


CIP: Content

The chosen content for the portfolio was highly important, and I came down to chosing a lot of images or Photographs, which I had already taken previously, and as I was being very specific with what I wanted to show, I had to make sure, that they would fit with their context.

I found that photographing some pieces of work was quite difficult to do; this was mainly due to lack of space, or lighting with in the rooms I was using. Even adjusting the camera settings didn’t aid me.

Although, when it came to deciding what to write with in the pages, I wanted to keep it brief, as the viewer of who could be reading the portfolio may get tired of reading copious amounts of text.


The only long passages I used, were provided for the CCS Case study pages and the introduction to each module pages.

CIP: Kick starter: Accelerator presentation slides

Overall fro m the presentation, that I threw together, while it was a little tough trying to get it all prepared, but I felt quite comfortable by how I just needed to tweak the previous slides from the feedback presentation.
I should remember to consider making the information more brief, and simple next time.
Can be seen here: accelerator presentation

I honestly think, that overall, we could’ve presented the cards a lot better. I know for a fact, that I really want to return to the illustrations I contributed and edit them, so they’re presentable.

CIP: Collection: Changes to type and layout

A few details I forgot to mention in my previous blog post, a in relation to the final book, which you can find on Issu.

My font style was changed to a more simplistic and clear text, to create formality with in the portfolio. I personally think this change helped, as I was checking back on the class feedback and what stood out most in the suggestions was the contents font and layout.

I’ve set the main body text to MS Reference Sans Serif, size 9pt.
As it was suggested that if I were to create an A5 sized document, the text can’t be any bigger than 11, unless it’s headings or subtitles.

My quote headings or smaller headings were Orator Std, at size 13pt. I was pretty fond with how the type was in capitals and the font overall is quite sharp.


I had to make A LOT of changes to the layout that I finished off with, I kept going back and forth from one idea to the next, but what helped me make a decision in the end was, that I needed to focus on readability of the contents and how it’s presented.

For some ideas, I went to Issu and took a look at a couple of the portfolios that other people had posted. I found that the majority of them had a running colour scheme which tied in with the cover, but the navigational system with in the content was clear and I knew exactly what page I was on; what I was looking at and so on.

So, I decided that instead of having subheadings in the content that’s presenting the work, I decided that by having a little title heading at the top corner of the page, may of been a more discrete approach.

Print and bind decisions
Hell, I don’t even know where to start.
I knew from the beginning that I didn’t want to publish it to blurb or some other bureau to do it for me. I was a little stubborn with that decision, but I had to consider cost, when it was going to arrive in England and the fact that the bind options were so restricting.

I wanted to also try out a stitch bind for my book to fit with the simplicity of the content, but also I like how I could have the option of creating patterns with the thread, if I wanted to.

I also started to think, that perhaps, I could of bound the book by using a crossed stitch bind? but, to manage with how things have proceeded so far, and how you’ll need to layout the front and back cover in to a template first is quite time consuming.

CIP: Collection

Several exportation tries later and I was finally able to get it published as a pdf. The images had to be compressed, due to the upload amount, but I;m quite pleased with how the publication turned out over all. There were a lot of moments, where I could’ve screamed and thrown my laptop out of the window because of how patient I had to be with InDesign, but well, what worked well was how I was able to get the layout I had originally planned out and on the software.

I wasn’t that all confident with the software over all from the start, but gradually as I started to learn and get my way around each thing, I found it to be very helpful.

I was amazed over all how I managed to put together a 71 document though, so the link to the digital copy is here:

CIP: Collection- Development decisions

It’s been a productive day to say the least, but as I went through the document, I couldn’t help, but make many different changes to the contents layout. I noticed that some of the spacing were off, or that I did the margins too thick. I had it set at ’18 mm’ on the inside, but that was only due to my previous binding decision, which was going to be the stab bind. Then, I had to reconsider it because I had several full-scale images that took up two pages, so they would be affected.

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In the end, I’ve chosen and will update with a few examples of these changes, but I’ve noticed, that by keeping the pages consistent, it makes it look much more presentable. My aim was to make sure that the work was readable and clear to understand, and I think I’m getting there.



Printing decisions

At first, yes, I was originally planning to send it to a printing bureau. Which one? Blurb, but considering that I lack money, and it takes a while for it to arrive and get finished, etc, etc. I didn’t want to risk it and if I were to consider this project or method in future, I need to allow myself to have more time to submit and get these things done.

However, as I’m going along with getting the printing done at home. I’m quite happy to do it that way. I’ve made sure that the printer prints at high quality, and that I’ve got the right paper, ink etc.

To return to the binding method again, I decided that a cross over bind would be perfect at keeping a sewn together book tightly together. For some reason, whenever I bind with glue; everything gets messy and I cannot stress enough how I’m trying to avoid  that issue.

Then again, “every dog has its day”.  I’m going to see this project through to the end and I’ll definitely wrap it up by the end of the weekend.